I love to draw, I love these things that are just natural and human and mark-making. Bon Iver Tour Dates. Artwork Aaron Anderson & Eric Timothy Carlson. I do all the tour poster stuff, and from there, more art print, screen print pieces. Shopping. I assume things will largely continue in that way now. You can choose one, but sometimes you have to do a hundred to arrive at that decision. When you watch all the videos or look at all the LP artwork, you really start to be able to piece things together without it being like a puzzle. One of my first album art projects was with this hardcore band, Building Better Bombs. If someone gives you three months, that's so huge. "PDLIF" is a genuine evolution within the Bon Iver canon, blowing out the deconstructed beauty of the group's last two albums into luscious new shapes ... CREDIT: Eric Timothy Carlson. Info. Of course, it's about the music and the people, but also kind of gets to be about the artwork in the process. The accompanying music video was created, produced, and directed by Aaron Anderson and Eric Timothy Carlson. Artwork by Eric Timothy Carlson. And of course, the majority of projects really happen with a much quicker turnaround where a lot of stuff has to happen in a month or two. It's not about knowing what you're doing. People ask for stuff in a week, and sometimes that's funny and fun and sometimes it's kind of like inappropriate. And ideally, as my work has grown and progressed I’ve always kind of followed the things that feel exciting and honest and good and powerful. So far, Bon Iver have shared the album artwork and two music videos for album tracks “22 (OVER S∞∞N) [Bob Moose Extended Cab Version]” and “10 d E A T h b R E a s T ⊠ ⊠ (Extended Version).” How much more material is there to this project? But I feel confident in being able to be open to conversation and be able to consume the ideas that are floating around on the tips of everybody’s tongues in the process and to see where that fits into my vision of it. The back cover, is the dancer, Taylor, a still from a video and a simple drawing of a circle around her. And [then] I just try to translate that into a cohesive body. So it's powerful in a way that doesn't necessarily happen any otherwise. Carlson was embedded in the process, working in and around collage art that was a culmination of the ideas and sounds surrounding him. Again, it's a powerful opportunity to just really make it a comprehensive body of work, especially with an artist and a group of artists who are really capable of thinking about projects at that scale and intricacy. Brooklyn-based artist Eric Timothy Carlson has made the artwork and visuals for the last two Bon Iver albums, 2016’s cryptic yet out-of-this-world folk 22, A Million and the most recent i,i, a warmer yet continually experimental set of songs. Show all albums by Bon Iver Music News Tracks. Lyric videos for each song on the 22, a million album. And that’s another thing I felt very accustomed to personally. A list of fundraisers you can support right now. To that point, how do you feel that your art changes when you’re working on a music project versus working on sculpture, installations, painting, or collages? So those are the three primary cover images that compose the final cover. I mean, how do you start picking what visuals will go with what?In the case of the last two albums, the album cover has arrived certainly later in the game and something that's been a very intentional conversation from the start. New Single Written by Phil Cook and Justin Vernon, Featuring Contributions From Jenny Lewis, Jenn Wasner, and More. For choosing the album cover, we arrived at collage. I came up to the recording studio about two years ago for the first time to listen to the work as it was progressing. What's your favorite moment on i,i?My gut reaction is “RABi,” the last song on the album that is such a beautiful song to me. • Best Alternative Music Album: “i,i.” Listed with the nomination is Bon Iver. You lived with and saw the evolution of this album. Wrapping up the album and all the videos was definitely the last push of this summer. It's a lot easier for the work to become part of your life when you're investing that kind of time frame to it. Created/Produced/Directed by Aaron Anderson and Eric Timothy Carlson. And [Gayngs founder] Ryan Olson was in that band and later I did the Gayngs logo, which was a project largely organized by Ryan Olsen and Justin. And the two lyrics videos have come out and I guess I would feel comfortable saying that we're working on the videos for each song in line with what was established with the first two. Once you get to a certain place with all that, you need to come up with ways to process and work with it, maybe a bunch of pencil drawings, or, in the case of i,i, introducing a lot of photography. It recognized the best recordings, compositions, and artists of the eligibility year, running from October 1, 2018, to August 31, 2019. Each track on i,i was conceived with specific videos and visuals enhanced by an assortment of art made during the album’s creation. There’s a lot of make and make and make until things become clear and you can make decisions and you can edit. Think of some of your favorite artworks and some of your favorite album covers and songs: There can be a really simple beat or just be one solid color, and that can be it. I remember this moment: I was painting a barn with Justin and listening to music and there was a moment in this song where he's like, “I,I. I don't want to pretend that we know what it needs to be or what it should be. Eric Timothy Carlson Online. Then probably six months of really kind of hitting the work pretty hard. Certain icons feel like they can be hundreds of years old, others feel like they cannot be invented yet. It naturally lets somebody experience the whole world and get familiar with the language and be able to understand things that might not inform if just seen in one aspect. I imagine that’ll continue. This time it was exciting to think: “We're going to have the dancers, we're going to have photography and it's going to be about all of the faces and players and contributors in this straight up, portraiture way,” like portraiture of the musical instruments within their environments, while also including symbolism, the drawing, the songs and titles. It’s been exciting to see people pick the videos apart and pull pieces and to start connecting the murals to it. Justin Vernon’s visual collaborator Eric Timothy Carlson described Bon Iver’s previous album 22, A Million as “an opportunity to play with the assumptions of Bon Iver’s audience, and the established aesthetic.” For i,i, he would be looking to both build on that new aesthetic, while also turning it … What was also made very clear was focusing on developing multiple bodies of fairly disparate materials for i,i, where 22, A Million really honed in on the drawings and those iconographies. This is very much a collaboration with Justin and with everyone involved in this. Justin Vernon and his Bon Iver outfit released their expansive 22, A Million on Thursday night after a two month campaign filled with live events. This then links (albeit somewhat ambiguously) to Bon Iver's initials "B" and "i," and their incorporation into the album artwork, since the "i" may also represent the Eye of Providence. The track’s music video — which was created, produced and directed by Bon Iver collaborators Aaron Anderson and Eric Timothy Carlson — was shot in … Jagjaguwar celebrating 25th anniversary w/ collab series ft. Bon Iver, Sharon Van Etten, Perfume Genius, more. Or is it more liberating in saying to yourself, “I’m  actually part of this from the early sketches and I have an idea of where this is going." Tap to unmute. In this case, probably two years ago, there was already a smattering of songs, and some of the stuff had been around for a few years, and some of the stuff was brand new, playing it all in a room together. Each song had a vocabulary behind it—not only the song symbols, but all of the illustrations came out of the lyrics and the ideas. And I got a text message shortly after a studio visit with Justin, and it was like, “Collage is the thing, right?” Yeah, collage is the thing. I really love an album experience and love to listen to things that you can really put on and listen in such totality. There’s the whole universe of the album to pull from, but then also making these individual experiences for the videos. This is a group. Listed with the nomination are Aaron Anderson & Eric Timothy Carlson, art directors (Bon Iver). Bon Iver — 2019 Tour Dates 6/4 – Esch-Sur-Alzette, LU – Rockhal 6/8 – Aarhus, DK – Northside Festival 6/12 – Bergen, NO – Bergenfest And then the videos are kind of coming out of that process, too, where we’re making these lyrics videos so that they each have that suite of content per song. With your own personal artwork, what are your biggest influences? And then over the last two years this conversation has been building and so this weekend has been a big release for that process. And then there's probably a few months of noticing how the music is evolving, and noticing where the visual language can come from. But, there's a lot of material that we've produced, a whole body of work that we're still processing, and we're excited to see what we can make with it all. It's fun and playful, yet somehow seems all twisted and psychedelic in the middle. "There's no master, and help will surely come around". I like using the term “they” in thinking of Bon Iver as more of a group, because I think most people associate Bon Iver with Justin Vernon. Patrick Paige II announces solo album, shares songs with Syd and Steve Lacy, Megan Thee Stallion announces “Hotties Helping Houston” fundraising drive. Someone who can defy a lot of genres and be a real person making some dark, sick work—I find that really inspiring. Bon Iver - 22, a million. I wonder, for you as somebody who's working on visual aspects with the band, how early you are introduced to the process? As an artist, do you feel like there's pressure knowing that you're part of the process from the beginning? Watch Bon Iver’s 10 22, A MillionLyric Videos And Read About Eric Timothy Carlson’s Album Design. How do you feel your art fits into this new version of Bon Iver? But having a project where you do really get to be involved in the conversation and be a part of things growing and building …  that's a beautiful scenario. More Bon Iver albums Blood Bank EP (10th Anniversary Edition) i,i. There’s the ten murals that went up in cities around the world. The one man, Justin Vernon, is the acknowledged conductor of collected ideas and talent, a role that suits him in what has become one of the most special bands from America in the 21st Century. • Best Recording Package. Are you brought in when songs are being written or when the songs are being created? And when you were creating all these symbols and imagery, did you adapt from your previous work or did you just start entirely from scratch? Then again, you have a 150, 200 options and there's these things that can kind of “sing,” so getting to a point where this handful of pieces starts to be exciting. Are there particular artists that you admire? In an era where collaboration is king, Bon Iver feels like the antithesis of hype-culture and more the embodiment of an edgy sense of artistic camaraderie, from songwriting to musicianship, and of course, the art that suffuses the band and the illustrative identity of the songs. Bon Iver shared a new song, "PDLIF," an acronym for "Please Don't Live in Fear," and will donate proceeds to COVID-19 relief efforts. Organic is not necessarily the word I want to use, but this one feels a little bit less obscure. But pretty early on in this process, I was sharing a body of collage work with the band that I've been working with for the last couple of years, something that's been part of my practice for a long time.
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